Graeco-Roman Museum

The museum was first built in 1892 as a small building located on Horreya Road - Alexandria . In 1895 it was transferred to the present site near Gamal Abdul Nasser Road. It started with eleven galleries, and has been gradually enlarged in later renovation stages. The 25th gallery was inaugurated in 1984. It contains a very big variety of coins from different countries, chronologically arranged, and dating back from 630 BC to the Ottoman period in the 19th century. The collection, which covers the period from the 3rd century BC to the 7th century AD, is a fascinating record of civilization in the process of change as religions merged and society evolved.

In Alexandria , Graeco-Roman and Pharaonic religions mingled in the cult of Serapis; the shift from pagan religions to Christianity can also be seen in the exhibits which include mummies, Hellenistic statues, busts of Roman emperors, Tangara figurines, and early Christian antiquities.

Museum Description

The museum contains hundreds of precious antiques. We will describe the most valuable ones or the best areas in the museum. Honestly, I have been to that museum more than five times and I still would love to go again.

Room 1 : In this room, we can see the beautiful alabaster Good Shepherd. Its large eyes and flat, regular of the robe is a development from the Coptic style. Part of the hall displays artifacts from the Monastery of St. Menas, west of Alexandria .

Room 2 : Contains many architectural elements from early Christian buildings, the central basket capital is a typical Coptic art.

Room 3 : This room has magnificent collection of metal, silver and gold. The silver torso of Aphrodite dates from the 2nd century. There is a varied collection of ancient jewelry with different magnificent colors.

Room 4 : Devoted to Coptic textiles from some of the finest weavers in the Christian world.

Room 5 : An amazing ancient model of a water cooling system.

In Room 6 we can find The Apis Bull, found to the west of Pompey's Pillar. The statue was set up in the reign of Hadrian (AD 117-138). This bull represents the most successful imposition of Greek realism upon an Egyptian image. The Serapis Head is sculptured with fine white marble. It was found near the Pompey's Pillar. It was one of the Ptolemies' gods. This god was a blend of Osiris and Apis. A visitor can see fine mosaics, an Alexandrine specialty, including one of a ship sailing, done with colored pebbles set in cement. This is the earliest type of mosaic made.
Room 7 : The two headless sphinx es, carved under Amenhemhet IV (12th Dynasty), are spectacular. The two headless black basalt statues of Isis in the niches flanking the doorway show us a clear example of Isis Knot.

Room 8 : This room is devoted to mummies and sarcophagi. A visitor can see the difference between the gilded and painted cartonnage of the pharaonic mummies and the ornate diamond bandage of the Ptolemaic ones.

Room 9 : This room is mainly dedicated to show pieces of a shrine in the Fayoum dedicated to the Crocodile-god, Pnepheros.

Room 11 : Contains some of the most interesting statues, in which Egyptian scenes and techniques are portrayed with Greek influences. We can see image of divine serpents " The Agathadaimon Stelae" and their worshippers. Limestone fragments from a temple at Athribis (Benha) are along the north wall of the room. The god Tutu faces Horus and Athribis with a broken inscription of Greek between them.

Room 12 : Contains statues of Graeco-Roman period. A colossal red granite head of Ptolemy IV, was found at Abuqir, wearing the double crown of Egypt. The mosaic of Medusa, once a pavement, originally showed Medusa's entire body. The most spectacular piece is the colossal white marble statue of Marcus Aurelius (121-180 AD), which was discovered under the Sayed Darwish Theater. In the same room, we can see a marble statue of Isis as a goddess of the Nile reclining against a sphinx . Her left hand holds a vessel for the Holy Water and the eight children climbing over her represent the eight cubits the Nile rises for a perfect flood.

Room 14 : is filled with portrait heads of famous Romans : Hadrian, Vespasian, and Augustus.


Room 16 : Contains some of the finest Hellenistic statuary available. The torso of Aphrodite is magnificent . At the end of the hall are a couple of male torsos, a female, and a seated male, which belonged to a group of statues carved for a pediment for a palace near the eastern harbor.

Room 17 : Contains some of the best Sarcophagi found. The most unique one shows Ariadne asleep on the island of Naxos. The god of sleep (Hypnos) stands by her head, and behind him lies the boat that brought her from Crete. Her husband, Dionysisu, stands in front of her with his retinue. The rest of the facade shows a drunken Hercules being helped homeward.

Room 18 : The funerary amphora from Chatby. It dates to the end of the fourth century BC. It still has its artificial wreath of green leaves and golden berries around its neck. Another display is a unique collection of clay Tanagra ( an ancient city in the northern part of Greece) figures. This collection spans the 3rd century BC to the 1st century AD. It provides information about women's fashions, hairstyles, hats and dresses in the ancient world.


Room 21 : This room contains plenty of pottery and some statues. The statue that stands out in this hall is a Hercules statue with a club in his left hand and his lion-skin coat in his right.

Room 22 : This hall is dedicated to colored glassware. Early in Egypt's history, the people learned how to make glass. It is a chance to see the early discovery of the fusion of soda and sand. At the end of the hall is a beautiful bronze head of Hadrian (76-138 AD).

The Sculpture Garden : The garden of the museum is full of spectacular statues and artifacts.

Graeco-Roman Museum

The museum was first built in 1892 as a small building located on Horreya Road - Alexandria . In 1895 it was transferred to the present site near Gamal Abdul Nasser Road. It started with eleven galleries, and has been gradually enlarged in later renovation stages. The 25th gallery was inaugurated in 1984. It contains a very big variety of coins from different countries, chronologically arranged, and dating back from 630 BC to the Ottoman period in the 19th century. The collection, which covers the period from the 3rd century BC to the 7th century AD, is a fascinating record of civilization in the process of change as religions merged and society evolved.

In Alexandria , Graeco-Roman and Pharaonic religions mingled in the cult of Serapis; the shift from pagan religions to Christianity can also be seen in the exhibits which include mummies, Hellenistic statues, busts of Roman emperors, Tangara figurines, and early Christian antiquities.

Museum Description

The museum contains hundreds of precious antiques. We will describe the most valuable ones or the best areas in the museum. Honestly, I have been to that museum more than five times and I still would love to go again.

Room 1 : In this room, we can see the beautiful alabaster Good Shepherd. Its large eyes and flat, regular of the robe is a development from the Coptic style. Part of the hall displays artifacts from the Monastery of St. Menas, west of Alexandria .

Room 2 : Contains many architectural elements from early Christian buildings, the central basket capital is a typical Coptic art.

Room 3 : This room has magnificent collection of metal, silver and gold. The silver torso of Aphrodite dates from the 2nd century. There is a varied collection of ancient jewelry with different magnificent colors.

Room 4 : Devoted to Coptic textiles from some of the finest weavers in the Christian world.

Room 5 : An amazing ancient model of a water cooling system.

In Room 6 we can find The Apis Bull, found to the west of Pompey's Pillar. The statue was set up in the reign of Hadrian (AD 117-138). This bull represents the most successful imposition of Greek realism upon an Egyptian image. The Serapis Head is sculptured with fine white marble. It was found near the Pompey's Pillar. It was one of the Ptolemies' gods. This god was a blend of Osiris and Apis. A visitor can see fine mosaics, an Alexandrine specialty, including one of a ship sailing, done with colored pebbles set in cement. This is the earliest type of mosaic made.
Room 7 : The two headless sphinx es, carved under Amenhemhet IV (12th Dynasty), are spectacular. The two headless black basalt statues of Isis in the niches flanking the doorway show us a clear example of Isis Knot.

Room 8 : This room is devoted to mummies and sarcophagi. A visitor can see the difference between the gilded and painted cartonnage of the pharaonic mummies and the ornate diamond bandage of the Ptolemaic ones.

Room 9 : This room is mainly dedicated to show pieces of a shrine in the Fayoum dedicated to the Crocodile-god, Pnepheros.

Room 11 : Contains some of the most interesting statues, in which Egyptian scenes and techniques are portrayed with Greek influences. We can see image of divine serpents " The Agathadaimon Stelae" and their worshippers. Limestone fragments from a temple at Athribis (Benha) are along the north wall of the room. The god Tutu faces Horus and Athribis with a broken inscription of Greek between them.

Room 12 : Contains statues of Graeco-Roman period. A colossal red granite head of Ptolemy IV, was found at Abuqir, wearing the double crown of Egypt. The mosaic of Medusa, once a pavement, originally showed Medusa's entire body. The most spectacular piece is the colossal white marble statue of Marcus Aurelius (121-180 AD), which was discovered under the Sayed Darwish Theater. In the same room, we can see a marble statue of Isis as a goddess of the Nile reclining against a sphinx . Her left hand holds a vessel for the Holy Water and the eight children climbing over her represent the eight cubits the Nile rises for a perfect flood.

Room 14 : is filled with portrait heads of famous Romans : Hadrian, Vespasian, and Augustus.


Room 16 : Contains some of the finest Hellenistic statuary available. The torso of Aphrodite is magnificent . At the end of the hall are a couple of male torsos, a female, and a seated male, which belonged to a group of statues carved for a pediment for a palace near the eastern harbor.

Room 17 : Contains some of the best Sarcophagi found. The most unique one shows Ariadne asleep on the island of Naxos. The god of sleep (Hypnos) stands by her head, and behind him lies the boat that brought her from Crete. Her husband, Dionysisu, stands in front of her with his retinue. The rest of the facade shows a drunken Hercules being helped homeward.

Room 18 : The funerary amphora from Chatby. It dates to the end of the fourth century BC. It still has its artificial wreath of green leaves and golden berries around its neck. Another display is a unique collection of clay Tanagra ( an ancient city in the northern part of Greece) figures. This collection spans the 3rd century BC to the 1st century AD. It provides information about women's fashions, hairstyles, hats and dresses in the ancient world.


Room 21 : This room contains plenty of pottery and some statues. The statue that stands out in this hall is a Hercules statue with a club in his left hand and his lion-skin coat in his right.

Room 22 : This hall is dedicated to colored glassware. Early in Egypt's history, the people learned how to make glass. It is a chance to see the early discovery of the fusion of soda and sand. At the end of the hall is a beautiful bronze head of Hadrian (76-138 AD).

The Sculpture Garden : The garden of the museum is full of spectacular statues and artifacts.

Nefertari's Temple of Hathor (Abu Simbel - Small Temple)

Hathor was the wife of the Sun God so in a symbolic way, the two Temples, that of Ramesses II and that of Nefertari, brings Ramesses II and Nefertari and Hathor and the Sun God together as one. The facade of the temple is a receding Pylon, just as the larger temple of Ramesses II. On either side of the entrance to the temple are a deified statue of Nefertari with statues of Ramesses II on either side of her. The statues of Nefertari are the same height as those of Ramesses, which is unusual. Like at Ramesses II's temple, there are children depicted around their feet. There are cobras protecting the Temple door.


This temple is much simpler than the Temple of Re-Herakhte. It has only one hypostyle hall and the sanctuary. Within the hall are images of Ramesses in battle with Nefertari present. Other scenes depict Ramesses being crowned by Horus and Seith and presenting Ma'at to Amun. On the back wall, Nefertari is before Hathor and Mut. Just behind the Hypostyle Hall is a small chamber with images of Hathor cow framed in reeds. Beyond that is the sanctuary with a divine cow emerging from the rear rock wall protecting Ramesses, below her. Above the cow, vultures guard the Queens cartouches. Other scenes show Nefertari offering incense to Mut and Hathor, and the King worshipping before his own image and that of Nefertari

Sun Temple of Ramesses II

The main temple was dedicated to Ramesses II and to the four universal gods Ptah, Re-Harakhte, Amun-Re, and to Ramesses II himself. Of the seven temples he built, Abu Simbel is considered to be the most impressive.

The facade of the main temple is 108 feet high and 125 feet wide with four colossal seated statues about 65 feet high wearing the double crown and having the cartouches of Ramesses II. They are taller than the colossi of Memnon at Thebes and are carved out of solid rock. At the feet of the calossus, beginning on the left are Queen Nofretari, Prince Amenhirkhopshef, the Kings mother Muttuya, Princess Bent'anta, unnamed, but probably Esenofre, Princess Nebettawy, Queen Muttuya, Princess Nofretari, Princess Merytamun, Princess Beketmut, Prince Ri'amsese, and Queen Nofretari, who where all members of Ramesses II's family. (Editor's Note : We wonder if Ramesses II bribed his kids to make good grades. Bring home an A and I'll put you in my new Colossus.)

Above the doorway in a niche stands the sun god, a falcon headed representation of Ramesses, holding a war-scepter which shows the head and neck of an animal which is read as user, in his right and a figure of Ma'at in his left. This cleverly creates the Kings throne name of User-Ma'at-Re. At the top of the facade is a row of baboons which are thought to be greeting the morning sun and indeed the monument looks best at that time. The sides of the thrones next to the entrance are decorated with Nile gods symbolically uniting Egypt, while below are prisoners, representing conquered nations, to the left, African and to the right, Asian.

The entrance leads into a Grand Hall which is 57 feet high and 52 feet wide and was cut from the rock. It is supported with eight pillars with statues of Ramesses. The statues on the north side of the hall wear the double crown, while those on the south the white crown of upper Egypt. Just as other temples in Egypt, the floor and ceiling taper off to draw focus to the sanctuaries in the back of the temple. The reliefs on the north wall of the Grand Hall show scenes from the Battle of Kadesh. Other walls depict the king slaughtering captives in front of the gods Amun-Re and Re-Harakhte, and storming a fortress with his three sons.

To either side of the Grand Hall are smaller rooms, two to the South and four to the North. Most suggest that these rooms were for storage (treasure rooms) but elsewhere it is suggested that they were used for festivals related to the Kings Jubilee.


Beyond the Grand Hall is the second hypostyle hall with its flowered pillars. Scenes in this hall show the King and his wife, Nefertari making offerings to Amun and Re-Harakhte (the Sun God), and beyond that is the three chapels, the central one containing the four deities worshipped in the temple (including Ramesses II). A Solstices occurs twice a year on or about February 20-22nd and October 20-22nd when the rays from the sun enter the front of the temple and bathe the statues of the Gods 200 feet inside the temple with light. Interestingly enough, all but Ptah, the source of Chthonian life.

On either side of the Facade are two small chapels. At the Southeast corner of the facade there are three stelae. One of these is called the Marriage Stela and documents the marriage of Ramesses II to the daughter of the King of the Hittites. (Editors Note : The question is, what did she look like? Did Ramesses consider this a heroic deed?) On the other side of the Facade is the Sun Chapel, an open court dedicated to the sun. Here, there are pillars with cavetto cornices. The one with steps held four praying baboons, the other a chapel with images of Khepri and Baboon-Thoth. The latter is now in the Antiquities Museum in Cairo .

Nefertari's Temple of Hathor (Abu Simbel - Small Temple)

Hathor was the wife of the Sun God so in a symbolic way, the two Temples, that of Ramesses II and that of Nefertari, brings Ramesses II and Nefertari and Hathor and the Sun God together as one. The facade of the temple is a receding Pylon, just as the larger temple of Ramesses II. On either side of the entrance to the temple are a deified statue of Nefertari with statues of Ramesses II on either side of her. The statues of Nefertari are the same height as those of Ramesses, which is unusual. Like at Ramesses II's temple, there are children depicted around their feet. There are cobras protecting the Temple door.


This temple is much simpler than the Temple of Re-Herakhte. It has only one hypostyle hall and the sanctuary. Within the hall are images of Ramesses in battle with Nefertari present. Other scenes depict Ramesses being crowned by Horus and Seith and presenting Ma'at to Amun. On the back wall, Nefertari is before Hathor and Mut. Just behind the Hypostyle Hall is a small chamber with images of Hathor cow framed in reeds. Beyond that is the sanctuary with a divine cow emerging from the rear rock wall protecting Ramesses, below her. Above the cow, vultures guard the Queens cartouches. Other scenes show Nefertari offering incense to Mut and Hathor, and the King worshipping before his own image and that of Nefertari

Sun Temple of Ramesses II

The main temple was dedicated to Ramesses II and to the four universal gods Ptah, Re-Harakhte, Amun-Re, and to Ramesses II himself. Of the seven temples he built, Abu Simbel is considered to be the most impressive.

The facade of the main temple is 108 feet high and 125 feet wide with four colossal seated statues about 65 feet high wearing the double crown and having the cartouches of Ramesses II. They are taller than the colossi of Memnon at Thebes and are carved out of solid rock. At the feet of the calossus, beginning on the left are Queen Nofretari, Prince Amenhirkhopshef, the Kings mother Muttuya, Princess Bent'anta, unnamed, but probably Esenofre, Princess Nebettawy, Queen Muttuya, Princess Nofretari, Princess Merytamun, Princess Beketmut, Prince Ri'amsese, and Queen Nofretari, who where all members of Ramesses II's family. (Editor's Note : We wonder if Ramesses II bribed his kids to make good grades. Bring home an A and I'll put you in my new Colossus.)

Above the doorway in a niche stands the sun god, a falcon headed representation of Ramesses, holding a war-scepter which shows the head and neck of an animal which is read as user, in his right and a figure of Ma'at in his left. This cleverly creates the Kings throne name of User-Ma'at-Re. At the top of the facade is a row of baboons which are thought to be greeting the morning sun and indeed the monument looks best at that time. The sides of the thrones next to the entrance are decorated with Nile gods symbolically uniting Egypt, while below are prisoners, representing conquered nations, to the left, African and to the right, Asian.

The entrance leads into a Grand Hall which is 57 feet high and 52 feet wide and was cut from the rock. It is supported with eight pillars with statues of Ramesses. The statues on the north side of the hall wear the double crown, while those on the south the white crown of upper Egypt. Just as other temples in Egypt, the floor and ceiling taper off to draw focus to the sanctuaries in the back of the temple. The reliefs on the north wall of the Grand Hall show scenes from the Battle of Kadesh. Other walls depict the king slaughtering captives in front of the gods Amun-Re and Re-Harakhte, and storming a fortress with his three sons.

To either side of the Grand Hall are smaller rooms, two to the South and four to the North. Most suggest that these rooms were for storage (treasure rooms) but elsewhere it is suggested that they were used for festivals related to the Kings Jubilee.


Beyond the Grand Hall is the second hypostyle hall with its flowered pillars. Scenes in this hall show the King and his wife, Nefertari making offerings to Amun and Re-Harakhte (the Sun God), and beyond that is the three chapels, the central one containing the four deities worshipped in the temple (including Ramesses II). A Solstices occurs twice a year on or about February 20-22nd and October 20-22nd when the rays from the sun enter the front of the temple and bathe the statues of the Gods 200 feet inside the temple with light. Interestingly enough, all but Ptah, the source of Chthonian life.

On either side of the Facade are two small chapels. At the Southeast corner of the facade there are three stelae. One of these is called the Marriage Stela and documents the marriage of Ramesses II to the daughter of the King of the Hittites. (Editors Note : The question is, what did she look like? Did Ramesses consider this a heroic deed?) On the other side of the Facade is the Sun Chapel, an open court dedicated to the sun. Here, there are pillars with cavetto cornices. The one with steps held four praying baboons, the other a chapel with images of Khepri and Baboon-Thoth. The latter is now in the Antiquities Museum in Cairo .

Temple of Luxor

The Temple of Luxor was the center of the most important one, the festival of Opet. Built largely by Amenhotep III and Ramesses II, it appears that the temple's purpose was for a suitable setting for the rituals of the festival. The festival itself was to reconcile the human aspect of the ruler with the divine office. During the 18th Dynasty the festival lasted eleven Days, but had grown to twenty-seven Days by the reign of Ramesses III in the 20th Dynasty. At that time the festival included the distribution of over 11,000 loaves of bread, 85 cakes and 385 jars of beer. The procession of images of the current royal family began at Karnak and ended at the Temple of Luxor . By the late 18th Dynasty the journey was being made by barge, on the Nile River. Each god or goddess was carried in a separate barge that was towed by smaller boats. Large crowds consisting of soldiers, dancers, musicians and high ranking officials accompanied the barge by walking along the banks of the river. During the festival the people were allowed to ask favors of the statues of the kings or to the images of the gods that were on the barges. Once at the temple, the king and his priests entered the back chambers. There, the king and his ka (the divine essence of each king, created at his birth) were merged, the king being transformed into a divine being. The crowd outside, anxiously awaiting the transformed king, would cheer wildly at his re-emergence. This solidified the ritual and made the king a god. The festival was the backbone of the pharaoh's government. In this way could a usurper or one not of the same bloodline become ruler over Egypt.

Temple of Kom-ombo

Location :

Kom Ombo, Egypt


Description :


Located in the town of Kom-ombo , about 28 miles north of Aswan , the Temple, dating to the Ptolemies, is built on a high dune overlooking the Nile. The actual temple was started by Ptolemy VI Philometor in the early second century BC. Ptolemy XIII built the outer and inner hypostyle halls. The outer enclosure wall and part of the court were built by Augustus sometime after 30 BC, and are mostly gone. There are also tombs from the Old Kingdom in the vicinity of Kom-ombo village.


The Temple known as Kom Ombo is actually two temples consisting of a Temple to Sobek and a Temple of Haroeris. In ancient times, sacred crocodiles basked in the sun on the river bank near here. The Temple has scant remains, due first to the changing Nile, then the Copts who once used it as a church, and finally by builders who used the stones for new buildings.


Everything is duplicated along the main axis. There are two entrances, two courts, two colonades, two hypostyle halls and two sanctuaries. There were probably even two sets of priests. The left, or northern side is dedicated to Haroeris (sometimes called Harer, Horus the Elder) who was the falcon headed sky god and the right to Sobek (the corcodile headed god). The two gods are accompanied by their families. They include Haroeris' wife named Tesentnefert, meaning the good sister and his son, Panebtawy. Sobeck likewise is accompanied by his consort, Hathor and son, Khonsu.


Foundations are all that are left of the original Pylon. Beyond the Pylon, there was once a staircase in the court that lead to a roof terrace. The court has a columned portico and central altar. There is a scene of the King leaving his palace escorted by standards. Near the sanctuary is a purification scene. On either side of the door to the pronaos are columns inscribed with icons of the lotus (south) and papyrus (north), symbolizing the 'two lands' of Egypt.


In the southwest corner of the pronaos is the one column that does not echo the duality of the temples. Here, there are scenes depicting purification of the King, his coronation and his consecration of the Temple. The ceiling has astronomical images.


The hypostyle hall has papyrus capitals on the columns. Here, there is an inventory of the scared places of Egypt, the gods of the main towns and the local and national festivals.


In the anti chamber, there are scenes depicting the goddess Seshat launching the building of the temple, followed by a scene of the completed temple with the king throwing natron in a purification ceremony. The staircase leading to the roof is all that remains of the offering hall.


Statues to the gods and the builders of the temple once occupied the net room just before the sanctuaries. The ceiling of the pure place to the north still remains with an image of Nut. There is little left of the sanctuaries.

Temple of Luxor

The Temple of Luxor was the center of the most important one, the festival of Opet. Built largely by Amenhotep III and Ramesses II, it appears that the temple's purpose was for a suitable setting for the rituals of the festival. The festival itself was to reconcile the human aspect of the ruler with the divine office. During the 18th Dynasty the festival lasted eleven Days, but had grown to twenty-seven Days by the reign of Ramesses III in the 20th Dynasty. At that time the festival included the distribution of over 11,000 loaves of bread, 85 cakes and 385 jars of beer. The procession of images of the current royal family began at Karnak and ended at the Temple of Luxor . By the late 18th Dynasty the journey was being made by barge, on the Nile River. Each god or goddess was carried in a separate barge that was towed by smaller boats. Large crowds consisting of soldiers, dancers, musicians and high ranking officials accompanied the barge by walking along the banks of the river. During the festival the people were allowed to ask favors of the statues of the kings or to the images of the gods that were on the barges. Once at the temple, the king and his priests entered the back chambers. There, the king and his ka (the divine essence of each king, created at his birth) were merged, the king being transformed into a divine being. The crowd outside, anxiously awaiting the transformed king, would cheer wildly at his re-emergence. This solidified the ritual and made the king a god. The festival was the backbone of the pharaoh's government. In this way could a usurper or one not of the same bloodline become ruler over Egypt.

Temple of Kom-ombo

Location :

Kom Ombo, Egypt


Description :


Located in the town of Kom-ombo , about 28 miles north of Aswan , the Temple, dating to the Ptolemies, is built on a high dune overlooking the Nile. The actual temple was started by Ptolemy VI Philometor in the early second century BC. Ptolemy XIII built the outer and inner hypostyle halls. The outer enclosure wall and part of the court were built by Augustus sometime after 30 BC, and are mostly gone. There are also tombs from the Old Kingdom in the vicinity of Kom-ombo village.


The Temple known as Kom Ombo is actually two temples consisting of a Temple to Sobek and a Temple of Haroeris. In ancient times, sacred crocodiles basked in the sun on the river bank near here. The Temple has scant remains, due first to the changing Nile, then the Copts who once used it as a church, and finally by builders who used the stones for new buildings.


Everything is duplicated along the main axis. There are two entrances, two courts, two colonades, two hypostyle halls and two sanctuaries. There were probably even two sets of priests. The left, or northern side is dedicated to Haroeris (sometimes called Harer, Horus the Elder) who was the falcon headed sky god and the right to Sobek (the corcodile headed god). The two gods are accompanied by their families. They include Haroeris' wife named Tesentnefert, meaning the good sister and his son, Panebtawy. Sobeck likewise is accompanied by his consort, Hathor and son, Khonsu.


Foundations are all that are left of the original Pylon. Beyond the Pylon, there was once a staircase in the court that lead to a roof terrace. The court has a columned portico and central altar. There is a scene of the King leaving his palace escorted by standards. Near the sanctuary is a purification scene. On either side of the door to the pronaos are columns inscribed with icons of the lotus (south) and papyrus (north), symbolizing the 'two lands' of Egypt.


In the southwest corner of the pronaos is the one column that does not echo the duality of the temples. Here, there are scenes depicting purification of the King, his coronation and his consecration of the Temple. The ceiling has astronomical images.


The hypostyle hall has papyrus capitals on the columns. Here, there is an inventory of the scared places of Egypt, the gods of the main towns and the local and national festivals.


In the anti chamber, there are scenes depicting the goddess Seshat launching the building of the temple, followed by a scene of the completed temple with the king throwing natron in a purification ceremony. The staircase leading to the roof is all that remains of the offering hall.


Statues to the gods and the builders of the temple once occupied the net room just before the sanctuaries. The ceiling of the pure place to the north still remains with an image of Nut. There is little left of the sanctuaries.

Temple of Dendera

The approach path to the temple is between two Roman fountains that end at the massive entry gate.The enclosure walls are mud-brick and date to the Roman era. Within the walls are the temple, two birth houses, a Coptic Basilica, a sanitorium, a sacred lake, and a temple to Isis. The temple has a long history. There is evidence that Pepi I (Old Kingdom) rebuilt the temple while other texts refer to reconditioning by Thutmose III, Amenhotep III and Ramesses II and III (of the New Kingdom). Additions were made during the Greek, Roman and Ptolemy periods.

Vestibule and Central Tomb Chamber

These are the main chambers. They are lit by a single electric light bulb that throws the chamber into green, a perfect staging for that composite art. In the center of the facade, the familiar solar disk is carved below frieze of serpents. Left and right are two serpents wearing the crowns of upper and lower Egypt. These are not the lithe cobras of Saqqara or Thebes. They seemed to be designed as modern book comics. In the Tomb Chamber, the dead lies on a lion-shaped bier attended by Horus, Thoth, Anubis, and other familiar funerary deities and funerary equipment : Canopic jars, the priest in his panther skin, and the king making an offering to the deceased in the form of Osiris. These figures are rendered in Greco-Roman style. To the traditional scenes are added bunches of grapes, Medusa heads, and a variety of Greek and Roman decorative devices.

Temple of Dendera

The approach path to the temple is between two Roman fountains that end at the massive entry gate.The enclosure walls are mud-brick and date to the Roman era. Within the walls are the temple, two birth houses, a Coptic Basilica, a sanitorium, a sacred lake, and a temple to Isis. The temple has a long history. There is evidence that Pepi I (Old Kingdom) rebuilt the temple while other texts refer to reconditioning by Thutmose III, Amenhotep III and Ramesses II and III (of the New Kingdom). Additions were made during the Greek, Roman and Ptolemy periods.

Vestibule and Central Tomb Chamber

These are the main chambers. They are lit by a single electric light bulb that throws the chamber into green, a perfect staging for that composite art. In the center of the facade, the familiar solar disk is carved below frieze of serpents. Left and right are two serpents wearing the crowns of upper and lower Egypt. These are not the lithe cobras of Saqqara or Thebes. They seemed to be designed as modern book comics. In the Tomb Chamber, the dead lies on a lion-shaped bier attended by Horus, Thoth, Anubis, and other familiar funerary deities and funerary equipment : Canopic jars, the priest in his panther skin, and the king making an offering to the deceased in the form of Osiris. These figures are rendered in Greco-Roman style. To the traditional scenes are added bunches of grapes, Medusa heads, and a variety of Greek and Roman decorative devices.

Roman Theater (Kom Al-Dikka)

Roman Theater (Kom Al-Dikka)



Over 30 years of excavation have uncovered many Roman remains including this well-preserved theatre with galleries, sections of mosaic-flooring, and marble seats for up to 800 spectators. In Ptolemaic times, this area was the Park of Pan and a pleasure garden. The theater at one point may had been roofed over to serve as an Odeon for musical performances. Inscriptions suggest that it was sometimes also used for wrestling contests. The theatre stood with thirteen semi-circular tiers of white marble that was imported from Europe. Its columns are of green marble imported from Asia Minor, and red granite imported from Aswan . The wings on either side of the stage are decorated with geometric mosaic paving. The dusty walls of the trenches, from digging in the northeast side of the Odeon, are layered with extraordinary amounts of potsherds. Going down out of the Kom, you can see the substantial arches and walls in stone, the brick of the Roman baths, and the remains of Roman houses.

Muntazah Complex

This 115 acre complex is surrounded by great walls from the south, east and west, and with the beach on its north side. This area used to belong to the Mohamed Ali family, that ruled Egypt from the mid 19th century until 1952. The construction was started in 1892 by King Abbas II, who built a large palace inside the complex called the Salamlek. In 1932, King Fuad built a larger palace and called it the Haramlik. His son, King Farouk, built a bridge to the sea to act as a water front. The rest of the 115 acres is nothing but beautiful gardens. Palm trees and gazelles cover the area. This is a wonderful spot to enjoy the beauty of Alexandria

Roman Theater (Kom Al-Dikka)

Roman Theater (Kom Al-Dikka)



Over 30 years of excavation have uncovered many Roman remains including this well-preserved theatre with galleries, sections of mosaic-flooring, and marble seats for up to 800 spectators. In Ptolemaic times, this area was the Park of Pan and a pleasure garden. The theater at one point may had been roofed over to serve as an Odeon for musical performances. Inscriptions suggest that it was sometimes also used for wrestling contests. The theatre stood with thirteen semi-circular tiers of white marble that was imported from Europe. Its columns are of green marble imported from Asia Minor, and red granite imported from Aswan . The wings on either side of the stage are decorated with geometric mosaic paving. The dusty walls of the trenches, from digging in the northeast side of the Odeon, are layered with extraordinary amounts of potsherds. Going down out of the Kom, you can see the substantial arches and walls in stone, the brick of the Roman baths, and the remains of Roman houses.

Nubia Museum

Location :

Aswan , Egypt

Description :

The Nubia Museum harbors the history of the "Land of Gold" as the word Nubia in the Hieroglyphic, language of ancient Egypt in which pictorial symbols are used to represent meaning and sounds, means the "Land of Gold"...Hence, this land, over times, was abounding in monumental treasures.

The Nubia Museum, in Aswan , as a matter of fact, is deemed to be one of the most important Egyptian museum s. A number of factors have combined together, yielding the magnificence of such museum, as it is the only unique open museum of its kind.

Preparing this museum lasted for ten years, all dedicated for hard work to come up with such lovely museum. Let alone, it stands as a wonderful model of international cultural cooperation representing in United Nations Educational, Scientific, and Cultural Organization (UNESCO).

In April 6 th, 1959, the Egyptian government appealed to the United Nations Educational, Cultural, and Scientific Organization (UNESCO), seeking help to salvage the monumental sites in Nubia, hence, the area between Aswan and the Sudan was inundated by the Nile waters especially after completing the Aswan Dam.

The response of the (UNESCO), in fact, came fast, as it called upon the international community to contribute to this project.

Since then, (UNESCO) has been a key player in the archaeological field in Egypt.

In no time, the executive committee, comprising representative of 15 member states, was set up, and was commissioned with studying technical, monumental and financial reports with the aim of providing the (UNESCO) with basic information required to effectively implement the project.

The (UNESCO), obviously, has contributed much to nudging the entire world to pay more attention to saving such invaluable monuments. By the end of 1975, and as a result of this relentless support on the part of the (UNESCO), the donations influx - contributed by 24 countries - amounted to $ 123304.

Unsurprisingly then that the operation of saving the Nubian monuments was described as the greatest in the history of saving monuments.

The operation, as known, included dismantling Abu Simbel Temple, inter alia , moving it to another area to be reassembled once again. Abu Simbel Temple was completely dismantled to 1036 pieces, each with average of 7 to 30 tons, as they were rebuilt on the top of the mountain overlooking the genuine spots, drawn by the ancient Egyptians 3000 years ago.

The world outcry, however, was translated into many concrete actions; donations to salvage the deteriorated-condition monuments, a number of excavation missions - which pursued their tasks in such hard conditions in areas extend 500 kilometres along the Nile banks.

A number of 40 missions have taken part in this great but difficult job, unearthing several priceless treasures dating back to pre-history times; Pharaonic, Greek, Roman, Islamic and Coptic.

Fossils, which were discovered during excavations, undoubtedly provided full knowledge about Nubian life and its development along ages.

In January, 1975, the General Egyptian Authority for Antiquities submitted a request to the (UNESCO) seeking the organisation's assistance to preserve the ancient Egyptian monuments, through establishing a city for museums harbouring a cluster of open museums with a view to displaying rare and wonderful monuments of various ages.

Being the main supporter to save the Nubian monuments, the (UNESCO) approved this request, and entrusted the executive committee, responsible for salvaging operations, with assuming the tasks of this new project. This committee was named the "The Executive Committee for the International Campaign for Establishing the International Museum of the Monuments of Nubia in Aswan , and the National Museum for Ancient Egyptian museum in
Cairo ".

Since February, 1981, a number of symposiums and seminars was held for contribution to this great project. It was the first time in the history of the (USECO) to decide launching an international campaign to establish local museum. This, however, could be ascribed to the magnificent monumental treasures Egypt has.

On February 4 th, 1986, the foundation stone of the museum of Nubia was laid down, playing new effective role that was derived from the spring of culture and civilization at both home and international levels.

To the Egyptians, the museum is to display life over centuries. As for foreign visitors, the museum will show the history of such unique area, as a source of knowledge for researchers from around the globe.

The International Museum of Nubia is located in Aswan on an area of 50,000 square meters, 7000 of which are excluded to building, while the rest designed to be the yard of the museum.

The building has three floors for displaying and housing, in addition to a library and information center. The largest part of the museum is occupied by the monumental pieces, reflecting phases of the development of the Nubian culture and civilization.

Three thousands pieces of antiq., representing various ages; Geological, Pharaonic, Roman, Coptic and Islamic, were registered. The open-door exhibition includes 90 rare monumental pieces, while the internal halls contain 50 invaluable pieces dating back to the pre-history times, 503 pieces belong to Pharaonic time, 52 of Coptic era, 103 of Islamic age, 140 of Nubian time, in addition to 360 pieces having the tang of Aswan .

The work in this unique edifice lasted for 11 years straight, and cost LE 60 million.

The museum of Nubia gained this unique position simply because it harbors unique monuments not in any elsewhere.

It houses the statute of Ramsis II, which was laid at the very forefront of the Museum, statute of Amenras the spiritual wife of Amen, she is of Nubian origin. It, also, has the head of the Shpatka, of the Nubian origin, made of rosy granite, head of black granite of Tahraqa, the Nubian King, whose reign during the 7th century BC was said to be full of prosperity. There is a temple of his name with gold-plated pillars.

There are, also, four mummies for nobles, which were found in Kashmatkh town in Nubia. The museum, as well, houses several models and styles of the Nubian heritage, the panorama of the Nile, depicting live image of the River Nile streaming through its banks.

There is also a model for the Nubian-style house, typically copied to mirror the nature of life in Nubia.

All pieces exhibited in the museum reflect the character of the Nubia over history and display how it merged with the Islamic civilization on one hand and the mother civilization of Egypt on the other.

So, the museum of Nubia plays vital role not only at the level of promoting Nubia to the entire world but also at the level of maintaining monuments and supporting researchers, interested in Nubia, from around the globe.

This, however could be achieved through the museum's study center and the documentation centers which publish more information on the "Land of Gold" in Egypt, the past, the present and the future.

Nubia Museum, which hosts 3000 monumental pieces of several times, ranks tenth in the list of the museums inaugurated in Egypt over the past three years. An array of important museums, however, has been inaugurated; Mohamed Nagui Museum, Modern Egyptian Art Museum, Museum of Mohamed Mahmoud Khalil and his wife, Museum of Ahmed Desouki,
Port Said Museum for Modern Arts, Taha Hussein Museum, and the Mummification Museum in Luxor .

Muntazah Complex

This 115 acre complex is surrounded by great walls from the south, east and west, and with the beach on its north side. This area used to belong to the Mohamed Ali family, that ruled Egypt from the mid 19th century until 1952. The construction was started in 1892 by King Abbas II, who built a large palace inside the complex called the Salamlek. In 1932, King Fuad built a larger palace and called it the Haramlik. His son, King Farouk, built a bridge to the sea to act as a water front. The rest of the 115 acres is nothing but beautiful gardens. Palm trees and gazelles cover the area. This is a wonderful spot to enjoy the beauty of Alexandria

High Dam

Located near Aswan , the world famous High Dam was an engineering miracle when it was built in the 1960s. It contains 18 times the material used in the Great Pyramid of Cheops. The Dam is 11,811 feet long, 3215 feet thick at the base and and 364 feet tall. Today it provides irrigation and electricity for the whole of Egypt and, together with the old Aswan Dam built by the British between 1898 and 1902`, 6km down river, wonderful views for visitors. From the top of the two Mile long High Dam you can gaze across Lake Nassar, the huge reservoir created when it was built, to Kalabsha temple in the south and the huge power station to the north.

The High Dam created a 30% increase in the cultivatable land in Egypt, and raised the water table for the Shara as far away as Algeria. The electricity producing capability of the Dam doubled Egypt's available supply.

The High Dam added an whole new aspect to Egypt, and a new environment as well. The lake is some 500 miles long and at the time it was built, if not now, was the world's largest artificial lake.

Graeco-Roman Museum

The museum was first built in 1892 as a small building located on Horreya Road - Alexandria . In 1895 it was transferred to the present site near Gamal Abdul Nasser Road. It started with eleven galleries, and has been gradually enlarged in later renovation stages. The 25th gallery was inaugurated in 1984. It contains a very big variety of coins from different countries, chronologically arranged, and dating back from 630 BC to the Ottoman period in the 19th century. The collection, which covers the period from the 3rd century BC to the 7th century AD, is a fascinating record of civilization in the process of change as religions merged and society evolved.

In Alexandria , Graeco-Roman and Pharaonic religions mingled in the cult of Serapis; the shift from pagan religions to Christianity can also be seen in the exhibits which include mummies, Hellenistic statues, busts of Roman emperors, Tangara figurines, and early Christian antiquities.

Museum Description

The museum contains hundreds of precious antiques. We will describe the most valuable ones or the best areas in the museum. Honestly, I have been to that museum more than five times and I still would love to go again.

Room 1 : In this room, we can see the beautiful alabaster Good Shepherd. Its large eyes and flat, regular of the robe is a development from the Coptic style. Part of the hall displays artifacts from the Monastery of St. Menas, west of Alexandria .

Room 2 : Contains many architectural elements from early Christian buildings, the central basket capital is a typical Coptic art.

Room 3 : This room has magnificent collection of metal, silver and gold. The silver torso of Aphrodite dates from the 2nd century. There is a varied collection of ancient jewelry with different magnificent colors.

Room 4 : Devoted to Coptic textiles from some of the finest weavers in the Christian world.

Room 5 : An amazing ancient model of a water cooling system.

In Room 6 we can find The Apis Bull, found to the west of Pompey's Pillar. The statue was set up in the reign of Hadrian (AD 117-138). This bull represents the most successful imposition of Greek realism upon an Egyptian image. The Serapis Head is sculptured with fine white marble. It was found near the Pompey's Pillar. It was one of the Ptolemies' gods. This god was a blend of Osiris and Apis. A visitor can see fine mosaics, an Alexandrine specialty, including one of a ship sailing, done with colored pebbles set in cement. This is the earliest type of mosaic made.
Room 7 : The two headless sphinx es, carved under Amenhemhet IV (12th Dynasty), are spectacular. The two headless black basalt statues of Isis in the niches flanking the doorway show us a clear example of Isis Knot.

Room 8 : This room is devoted to mummies and sarcophagi. A visitor can see the difference between the gilded and painted cartonnage of the pharaonic mummies and the ornate diamond bandage of the Ptolemaic ones.

Room 9 : This room is mainly dedicated to show pieces of a shrine in the Fayoum dedicated to the Crocodile-god, Pnepheros.

Room 11 : Contains some of the most interesting statues, in which Egyptian scenes and techniques are portrayed with Greek influences. We can see image of divine serpents " The Agathadaimon Stelae" and their worshippers. Limestone fragments from a temple at Athribis (Benha) are along the north wall of the room. The god Tutu faces Horus and Athribis with a broken inscription of Greek between them.

Room 12 : Contains statues of Graeco-Roman period. A colossal red granite head of Ptolemy IV, was found at Abuqir, wearing the double crown of Egypt. The mosaic of Medusa, once a pavement, originally showed Medusa's entire body. The most spectacular piece is the colossal white marble statue of Marcus Aurelius (121-180 AD), which was discovered under the Sayed Darwish Theater. In the same room, we can see a marble statue of Isis as a goddess of the Nile reclining against a sphinx . Her left hand holds a vessel for the Holy Water and the eight children climbing over her represent the eight cubits the Nile rises for a perfect flood.

Room 14 : is filled with portrait heads of famous Romans : Hadrian, Vespasian, and Augustus.


Room 16 : Contains some of the finest Hellenistic statuary available. The torso of Aphrodite is magnificent . At the end of the hall are a couple of male torsos, a female, and a seated male, which belonged to a group of statues carved for a pediment for a palace near the eastern harbor.

Room 17 : Contains some of the best Sarcophagi found. The most unique one shows Ariadne asleep on the island of Naxos. The god of sleep (Hypnos) stands by her head, and behind him lies the boat that brought her from Crete. Her husband, Dionysisu, stands in front of her with his retinue. The rest of the facade shows a drunken Hercules being helped homeward.

Room 18 : The funerary amphora from Chatby. It dates to the end of the fourth century BC. It still has its artificial wreath of green leaves and golden berries around its neck. Another display is a unique collection of clay Tanagra ( an ancient city in the northern part of Greece) figures. This collection spans the 3rd century BC to the 1st century AD. It provides information about women's fashions, hairstyles, hats and dresses in the ancient world.


Room 21 : This room contains plenty of pottery and some statues. The statue that stands out in this hall is a Hercules statue with a club in his left hand and his lion-skin coat in his right.

Room 22 : This hall is dedicated to colored glassware. Early in Egypt's history, the people learned how to make glass. It is a chance to see the early discovery of the fusion of soda and sand. At the end of the hall is a beautiful bronze head of Hadrian (76-138 AD).

The Sculpture Garden : The garden of the museum is full of spectacular statues and artifacts.

Vestibule and Central Tomb Chamber

These are the main chambers. They are lit by a single electric light bulb that throws the chamber into green, a perfect staging for that composite art. In the center of the facade, the familiar solar disk is carved below frieze of serpents. Left and right are two serpents wearing the crowns of upper and lower Egypt. These are not the lithe cobras of Saqqara or Thebes. They seemed to be designed as modern book comics. In the Tomb Chamber, the dead lies on a lion-shaped bier attended by Horus, Thoth, Anubis, and other familiar funerary deities and funerary equipment : Canopic jars, the priest in his panther skin, and the king making an offering to the deceased in the form of Osiris. These figures are rendered in Greco-Roman style. To the traditional scenes are added bunches of grapes, Medusa heads, and a variety of Greek and Roman decorative devices.

Catacombs of Kom El-Shouqafa

These tombs were tunneled into the bedrock in the age of the Antonine emperors (2nd century AD)for a single wealthy family still practicing the ancient religion. As a privately financed project, it is an engineering feat of some magnitude. These tombs represent the last existing major construction for the sake of the old Egyptian religion. They are alone worth the trip to Alexandria . Though the funerary motifs are pure ancient Egyptian, the architects and artists were schooled in the Greco-Roman style. Applied to the themes of Ancient Egyptian religion, it has resulted in an amazing integrated art, quite unlike anything else in the world.

A winding staircase descends several levels deep into the ground, with little chapels opening from it, furnished with benches to accommodate visitors or mourners bringing offerings. There are niches cutout to hold sarcophagi.